His third production compilation again shows that he is a master at doing simple electro house music very well: humongous beats and basslines blend with straightforward chord progressions and, when interest may start to lag, sonic diversions. Undoubtedly, the Deadmau5 appeal hinges on the astonishing live show in which Zimmerman performs in a giant, illuminated mouse's head, but it wouldn't work without his tracks. He's now notched up 14m MySpace plays for individual tracks, won dance music awards and will shortly become the first electronic artist to follow in the bootsteps of rockers Led Zeppelin and Oasis to headline Earls Court.
A n onstage collapse this summer and subsequent cancelled performances hasn't stopped Canadian producer Joel Zimmerman's Deadmau5 phenomenon continuing apace.
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